If you need the exact information or any request on the Fabric, please contact us immediately before making a purchase! Notice: Some above products have different fabric materials, so the percentage of cotton and polyester is different. Other Style: Please send us an email for more details:.Polyester fibers are extremely strong, resistant to most chemicals, stretching and shrinking Made from specially spun fibers that make very strong and smooth fabric. 50% Cotton 50% Polyester and the medium-heavy fabric (8.0 oz/ydВІ (271.25 g/mВІ). Solid colors are 100% cotton, heather colors are 52% cotton, 48% polyester (Athletic Heather and Black Heather are 90% cotton, 10% polyester) Fabric is made from specially spun fibers that make very strong and smooth fabric. Solid colors are 100% cotton Heather colors are 50% cotton, 50% polyester (Sport Grey is 90% cotton, 10% polyester) Antique colors are 60% cotton, 40% polyester. Brand: Nicefrogtees StoreВ a member of Nemoshirt - An online fashion company in the USA.High-quality print adds a statement to one's workout or everyday routine. Comfortable and light, this premium product is the best choice. Relaxed, tailored and ultra-comfortable, you'll love the way you look in this durable, reliable classic. In 1964, Monk became one of four jazz musicians ever to grace the cover of Time Magazine.This is our best seller for a reason. By 1962, Monk was so popular that he was given a contract with Columbia Records, a decidedly more mainstream label than Riverside. Enjoying huge success, they went on to tour the United States and even make some appearances in Europe. In 1957, the Thelonious Monk Quartet, which included John Coltrane, began performing regularly at the Five Spot in New York. With the release of two more Riverside masterworks, Thelonious Himself and Thelonious Monk with John Coltrane, Monk finally received the acclaim he deserved. The album's title track made a splash with its innovative, technically demanding, and extremely complex sound, which had to be edited together from many separate takes. Not content to pander ineffectively to a nonexistent audience, Monk turned a page with his 1956 album, Brilliant Corners, which is usually considered to be his first true masterpiece. There, he attempted to make his first two recordings more widely accessible, but this effort was poorly received by critics. As Monk saw it, 'The piano ain't got no wrong notes!' Though widespread recognition was still years away, Monk had already earned the regard of his peers as well as several important critics.Д«ecause Monk's work continued to be largely overlooked by jazz fans at large, Prestige sold his contract to Riverside Records in 1955. Monk made a total of five Blue Note recordings between 19, including 'Criss Cross' and 'Evidence.' These are generally regarded as the first works characteristic of Monk's unique jazz style, which embraced percussive playing, unusual repetitions and dissonant sounds. Monk didn't record under his own name, however, until 1947, when he played as the leader of a sextet session for Blue Note. Monk's first known recording was made in 1944, when he worked as a member of Coleman Hawkins's quartet. Alongside Charlie Parker and Dizzy Gillespie, he explored the fast, jarring, and often improvised styles that would later become synonymous with modern jazz.

In 1941, Monk began working at Minton's Playhouse in Harlem, where he joined the house band and helped develop the school of jazz known as bebop.

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